White Lines Review Netflixs Murder Mystery in Ibiza
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There are few more deadening experiences than being sober effectually people who are off their heads. If y'all're not as well buzzing your tits off, the life epiphanies of dilated-pupil, jaw-clenched, hug-fetishist ravers resemble zippo and then much every bit the unmusical cawing of an especially stupid crow.
Non that it's put Netflix off setting new x-role drama White Lines in the heart of the Ibizan rave scene. That's considering Netflix knows that if a show provides enough topless women, slo-mo shagging and Lord's day supplement-worthy embankment villas, audiences will tolerate annihilation – upward to and including loved-up 90s kids talking about how firm music is going to change the world.
On one level, White Lines is about the conflict betwixt youthful freedom and adult responsibility, hedonism versus restraint, instinct versus intellect. On some other, much louder level, it's nearly tits and coke and abs and Laurence Pull a fast one on being chased past a hallucinated gorilla.
Fox (of Question Time fame) plays David, a lifestyle guru parody who facilitates mescaline-aided vision quests and 'allow it all hang out' therapy sessions at his stunning clifftop palace. David is 1 of four Mancunians who left England in 1996 for Ibiza'southward social club scene. At that place, they establish fame, fortune and hedonistic excess every bit DJs until the disappearance of their leader Axel (Tom Rhys Harries) one night twenty years agone. Now there'southward but David and recently separated childhood sweethearts Marcus and Anna (Daniel Mays and Angela Griffin) left living la vida loca.
When a body suspected to be Axel is dug up in the Spanish desert, his younger sister Zoe (Laura Haddock) leaves her family in Manchester and flies to Ibiza to find out what actually happened to her blood brother. And in the tradition of uptight, responsible film and TV gals visiting tropical islands, she does a Shirley Valentine while she's there, getting her groove back courtesy of some house tunes and a nightclub bouncer with biceps the size of tree trunks. Beats Pray Beloved.
White Lines , from Alex Pina, the creator of acclaimed Castilian drama Money Heist/La Casa de Papel , plays out over two timelines. We lookout both Zoe's present-day investigation and Axel and co.'s adventures in the mid-belatedly 90s. In the modern-solar day section, there's likewise a drug dealer plot featuring some comedy extravaganza Romanaian traffickers, and a family melodrama about a super-rich Ibizan crime family unit's feud with a rival clan.
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The Calafat family storyline offers Dynasty -similar lather glamour with a dark underlying psychodrama. They're a muy caliente bunch, the Calafats, from sexy mother Conchita (whose ability, like that of biblical Samson, resides in her voluminously blow-dried pilus) to son Oriol (a sort of Spanish David Tennant who goes to orgies). It'due south all infinity pools, designer swimwear, deluxe coastal mansions and disquieting sexual secrets with them. The owners of a chain of hotels and clubs, the Calafats are Ibiza'southward oversexed, underdressed royal family.
DJing in one of their clubs is Marcus, the sole regular bloke in the land of tanned supergods. Every bit is so frequently the case with characters played by Daniel Mays, he's easily the best thing in the show – comedic merely tragic, low-cal-hearted and sympathetic. The script, which has more low points than the Netherlands and Belgium combined, does him few favours ("I was hard like a dog" he's forced to say mid-seduction), but Mays' irrepressible likeability shines out.
Tom Rhys Harries too makes an impact as 20-yr-old Axel, the superstar DJ at the heart of the mystery. His story well-nigh the dark underbelly of fame and excess has been told a hundred times before, with a hundred times more dash, but it's a committed functioning from a face to remember. His ascent from Mozart-loving youth ("This overture is savage […] It's pretty much techno.") to becoming the "messiah of electronic music" with his face on billboards is hackneyed but eye-catching.
As the lead, Laura Haddock shoulders most of the weight, fighting her way admirably through some laborious dialogue equally Zoe moves forth her journey of self-realisation and transforms from repressed librarian to lord's day-kissed goddess.
The script is ropey, lumbering characters with lines similar "Axel lived his dream, that's how he became the greatest DJ of his time" and "You lot say you want white lines marking out your life, but I think you're going to destroy these white lines. I think yous're going to cantankerous red lines," only that's conspicuously not the main allure here.
White Lines doesn't aspire to being prestige drama. Information technology'due south a thrills 'n' pills gangster caper with an irreverent sense of comic silliness. It's an expensive Hollyoaksafter-dark, filled with beautiful people, aspirational backdrops and gags about dogs. It's house porn. It'due south travel porn. It's nostalgia porn. On several occasions, information technology's bodily porn, filled with wholly free nudity – naked trampolining, pneumatic bare breasts, and heads bobbing up and down in front of tanned crotches.
The nostalgia hitting is as well massive, from the tunes (Primal Scream, Josh Wink) to the clothes (necktie-dye t-shirts and bucket hats) to the glow-sticks (everywhere) to the simple optimism of being 20 and surrounded by mates in paradise. It's got a music video aesthetic. Wherever you expect, in that location'southward a slo-mo underwater bikini shot and sun-soaked youths doing lines of speed off Happy Mondays CDs. You tin can almost smell the ocean spray and Factor xv.
And in a twelvemonth when beach holidays are looking less and less possible, it might too exist all we have. This dopey, muscle-bound, clubbing-and-shagging drama could exist the closest we get to driving around the Balearics in an open-top Mini or eating a big lycopersicon esculentum nether the Mediterranean sunday. Then why not? Switch your encephalon off, and have information technology large.
White Lines arrives on Netflix UK on Friday May 15th.
Source: https://www.denofgeek.com/tv/netflixs-white-lines-review-ibizan-pills-n-cheap-thrills-murder-mystery/
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